Since the 1880s, when they first started taking classes at Queen카지노 게임 컬렉션s 카지노게임사이트, women have worked with determination to gain higher education. They overcame initial resistance to their right to be students working for a degree. In the early 1900s women students banded together to live communally in various houses in Kingston. By 1926, early Alumnae built the first university residence, Ban Righ Hall.
They also built the tradition of Queen카지노 게임 컬렉션s women working to 카지노 게임 컬렉션secure for those coming after them, access to all the resources of the 카지노게임사이트 and the same benefits of communal life and study they themselves had known.카지노 게임 컬렉션
The original funding for the work of the Ban Righ Foundation came from nearly 50 years of management of the women카지노 게임 컬렉션s residences by the Ban Righ (Residence) Board and the women students.
The Ban Righ Centre was founded in 1974 by women graduates of Queen카지노 게임 컬렉션s with money earned and invested by alumnae who built and administered the women카지노 게임 컬렉션s residences until the 1970s.
Our Founders
Special Committee of the Ban Righ Residence Board set up to consider the use of accumulated savings:
- Helen Anderson, Arts 카지노 게임 컬렉션46
- Kiloran German, Arts 카지노 게임 컬렉션74
- Gladys Heinz, Arts 카지노 게임 컬렉션37, M.A. 카지노 게임 컬렉션38 (President of the Alumnae Association)
- Evelyn Reid, Dean of Women
- Rosemary Richardson, Arts 카지노 게임 컬렉션53
- Jean Royce, Arts 카지노 게임 컬렉션30, LLD카지노 게임 컬렉션68 (Chair)
Founding Board of Management of the Ban Righ Foundation for Continuing 카지노게임사이트 Education:
- Helen Anderson, Arts 카지노 게임 컬렉션46
- Margaret Griffin, Arts 카지노 게임 컬렉션65, BFA 카지노 게임 컬렉션83
- Gladys Heinz, Arts 카지노 게임 컬렉션37, MA 카지노 게임 컬렉션38 (past president of the Alumnae Association)
- Margaret Hooey, Secretary of the 카지노게임사이트
- Sylva MacKay, Arts 카지노 게임 컬렉션44 (president of the Alumnae Association)
- Helen Mathers, Director of the Ban Righ Foundation
- Kathleen Morand, Professor of Art History, (Chair)
- Evelyn Reid, Dean of Women
A support group of four alumnae were designated to assist the Board of Management for the first year:
- Norah Frood, Arts 카지노 게임 컬렉션49
- Bonnie Judge, Arts 카지노 게임 컬렉션45
- Rosemary Richardson, Arts 카지노 게임 컬렉션53
- Lillian Slater, Arts 카지노 게임 컬렉션42
Joanne Page, 1998
Drawing from the long tradition of academic quest on the part of Queen카지노 게임 컬렉션s Women, and anticipating the present concept of continuing education, the founders of the Ban Righ Foundation created an agent of change and of reconciliation, in a single far-reaching throw.
They envisaged the Foundation as a place of intellectual vitality by way of individual accomplishment and mutual encouragement. From their residence experience, they knew that living together, even briefly during the day, promotes familiarity and stability. They held out, then, for the right location and chose a house rather than a series of offices. Perhaps most significantly, they resolved that the Foundation must evolve, as would the 카지노게임사이트 and the profile of the returning student.
Three decades later, the 카지노게임사이트 has indeed changed, as have women카지노 게임 컬렉션s lives. The institution카지노 게임 컬렉션s systems have become more regularized, its culture less personal. Tuition has risen. Women, now half the workforce, understand universities as a vehicle for economic advancement as much as personal edification. At a time when social commitment to public education wavers, more women aspire to part-time and full-time admission. As the resources of the administration diminish, the student카지노 게임 컬렉션s financial burden increases. And, however regrettable, obstacles remain for women returning to education.
The Foundation seeks to reconcile people with place and purpose. Because it is independently housed, because of its obvious and its unexpected links within the academy and the community, because of its history, because it is part of the 카지노게임사이트 and yet it is different, a visiting scholar finds herself comfortably expounding, the new Faculty member voices her fears about tenure, the 카지노게임사이트 staff member wades into a lunch-hour session, a graduate student reveals her research problems, the part-time student gets a toe-hold, a group of forty parents and children enjoy an uproarious supper. The common ground is vast and compelling: thinking, learning.
Striving to be greater than the sum of the parts, the Foundation remains willingly specific in mandate. It is the richness of the parts 카지노 게임 컬렉션 the students and the community they create 카지노 게임 컬렉션 which makes the Foundation work and enables the students to offer their individual contribution as well as simply attend classes. Programming is intentionally responsive and broad. Its processes are interconnected. Routine varies reflecting need. Discussions flourish. The individual is valued. It is the integration of these parts which enables the student to enter university life fully.
Providing a place for women within what can seem a large unknowable structure, the 카지노게임사이트 demonstrates that the complex mix of goals and personal responsibilities which women students continue to bear is of equal importance to, say, an art collection or a skating rink. Students testify that such a place has been of monumental value, the difference between giving up and continuing.
The 카지노게임사이트, by definition, must shape the future through the lens of the academic community. The designers of the Foundation worked with the same lens focused on a human scale; the Foundation카지노 게임 컬렉션s charge is to, when necessary, go after the future for one person. These are two parts of the whole, and a wise institution secures both.
As evidence of the visionary largess of Queen카지노 게임 컬렉션s Women, the Foundation continues to urge students towards a deep and personal attachment to education. In partnership with the 카지노게임사이트, it is, by foresight and rarity, a resource and an investment which distinguishes Queen카지노 게임 컬렉션s from other universities across the country.