
Karine Bertrand
Associate Professor
Film and Media
Isabel Bader Centre for the Performing Arts
My interest for cinema and films in general came from watching old black and white movies with my grandma on PBS on Sunday afternoons. Beyond these old Hollywood narratives, I have grown to love films stemming from all parts of the world. More recently, my research interests have been centered on Quebec cinema (intercultural collaborations), Indigenous films and poetry, road movies, transnational cinemas and oral practices of cinema.
I am also a member of the Vulnerable Media Lab at Queen카지노 게임 컬렉션s and lead researcher for the Archive/Counter-Archive research project (financed by SSHRC) working with the Arnait Video Productions collective of Inuit women and with QuĂ©bĂ©cois filmmaker Marie-HĂ©lĂšne Cousineau. I am co-director of the research group EPIC (esthĂ©tique et politique de l카지노 게임 컬렉션image cinĂ©matographique) where we discuss the politics and aesthetics of screen images. My latest publications include a book chapter on the rock group U2 ( MacKenzie and Iversen, 2021) a book chapter on the exploration of Indigenous lands (Cahill and Caminati, 2020) an article on Indigenous women and testimonies (Canadian Journal of Film Studies, 2020) on QuĂ©bĂ©cois cinema and AmericanitĂ© (American Review of Canadian Studies, 2019) and a book chapter on Canadian and QuĂ©bĂ©cois Indigenous cinemas (Oxford Handbook to Canadian Cinema, 2019). I am presently working on a project involving the creation of an international network for Indigenous women filmmakers, and continuing partnerships with the Wapikoni Mobile and the INAAC (the International Network for Aboriginal Audio-Visual Creation).
Besides my research, which I am very passionate about, I love to be outdoors, connecting with nature. I have studied medicinal plants and take every occasion I get to play outside; canoeing, hiking, skiing, camping, gardening. I also love writing poetry and teaching courses where I can develop a strong connection with my students.
Selected Bibliography
Bertrand, Karine. 카지노 게임 컬렉션U2카지노 게임 컬렉션s Rattle and Hum: God, Sex, Rock and Roll, and God again카지노 게임 컬렉션 in MacKenzie, Scott and Iverson, Gunnar, Images and Sounds of Fury: Mapping the Rockumentary, Edinburgh 카지노게임사이트 Press, 2021.
Bertrand, Karine. 카지노 게임 컬렉션L카지노 게임 컬렉션Ćuvre documentaire d카지노 게임 컬렉션Alanis Obomsawin et la voix des femmes autochtones.카지노 게임 컬렉션 Book chapter for the monograph entitled 카지노 게임 컬렉션De l카지노 게임 컬렉션exclusion Ă la solidaritĂ©. Regards intersectionnels sur les mĂ©dias카지노 게임 컬렉션 (Josette Brun, Ed.) Les Ăditions Remue-MĂ©nage, 2020.
Bertrand, Karine. 카지노 게임 컬렉션From Pierre Perrault to Wim Wenders: Auteur Cinema and the Poetic Exploration of Indigenous Lands and Identities카지노 게임 컬렉션 in Caminati, Luca and James Leo Cahill, Cinemas of Exploration: Essays on an Adventurous Film Practice, AFI/Routledge, 2020.
Bertrand, Karine. 카지노 게임 컬렉션Auto-histoires et reprĂ©sentations communautaires dans le cinĂ©ma des femmes autochtones.카지노 게임 컬렉션 in Revue canadienne d카지노 게임 컬렉션Ă©tudes cinĂ©matographiques, vol. 29, Issue 1, Spring 2020, p. 69-89.
Bertrand, Karine. 카지노 게임 컬렉션L카지노 게임 컬렉션Ă©nonciation Ă©pistolaire dans le cinĂ©ma quĂ©bĂ©cois et autochtone contemporain카지노 게임 컬렉션 in Ărea Abierta. Revista de comunicaciĂłn audiovisual y publicitaria, vol. 19, no.3, 2019, p. 307-326.
Bertrand, Karine. 카지노 게임 컬렉션Le cinĂ©ma autochtone au QuĂ©bec, entre reprĂ©sentation et rĂ©-appropriation카지노 게임 컬렉션 in Contemporary French Civilization, vol. 44, issue 2-3, 2019, p. 221-240.
Bertrand Karine and Baillargeon, MercĂ©dĂšs (eds.). 카지노 게임 컬렉션Introduction: Transnationalisme et cinĂ©ma QuĂ©bĂ©cois카지노 게임 컬렉션 in Contemporary French Civilization, vol.44, issue 2-3, 2019, p.137-150.
Bertrand, Karine. 카지노 게임 컬렉션De Gilles Groulx Ă Jean-Marc VallĂ©e: Transnationalisme, AmĂ©ricanitĂ© et territoire dans le cinĂ©ma quĂ©bĂ©cois카지노 게임 컬렉션 in American Review of Canadian Studies, February 2019, p. 43-63.
Bertrand, Karine. 카지노 게임 컬렉션Martha of the North and Nunavik Narratives of Survivance카지노 게임 컬렉션 in Kaganovsky Lilya, MacKenzie, Scott and WesterstĂ„hl Stenport, Anna, Arctic Cinemas and the Documentary Ethos, Bloomington Indiana: Indiana Press, 2019, p. 289-301.
Bertrand, Karine. 카지노 게임 컬렉션Canadian Indigenous Cinema: from Alanis Obomsawin to the Wapikoni Mobile카지노 게임 컬렉션 in Marchessault, Janine and Straw, Will, The Oxford Handbook of Canadian Cinema, Oxford: Oxford 카지노게임사이트 Press, 2019, p. 105-124.
Bertrand, Karine. 카지노 게임 컬렉션카지노 게임 컬렉션Politiques et poĂ©tiques du langage : l카지노 게임 컬렉션inuktitut et le corps-verbal dans le cinĂ©ma inuit카지노 게임 컬렉션카지노 게임 컬렉션 in TranscUlturAl, Vo. 10, no. 1, 2018, p. 29-44.
Bertrand, Karine. 카지노 게임 컬렉션Le collectif Arnait Video Productions et le cinĂ©ma engagĂ© des femmes inuit: guĂ©rison communautaire et mĂ©moire culturelle카지노 게임 컬렉션 in Revue canadienne de littĂ©rature comparĂ©e, Vol. 44 Issue 1, 2017, p. 36-53.