Against the social and economic upheavals that characterized the nineteenth century, the border-bending nosferatu embodied the period카지노 게임 컬렉션s fears as well as its forbidden desires. This volume looks at both the range among and legacy of vampires in the nineteenth century, including race, culture, social upheaval, gender and sexuality, new knowledge and technology. The figure increased in popularity throughout the century and reached its climax in Dracula (1897), the most famous story of bloodsuckers. This book includes chapters on Bram Stoker카지노 게임 컬렉션s iconic novel, as well as touchstone texts like John William Polidori카지노 게임 컬렉션s The Vampyre (1819) and Sheridan Le Fanu카지노 게임 컬렉션s Carmilla (1872), but it also focuses on the many 카지노 게임 컬렉션Other카지노 게임 컬렉션 vampire stories of the period. Topics discussed include: the long-war veteran and aristocratic vampire in Varney; the vampire as addict in fiction by George MacDonald; time discipline in Eric Stenbock카지노 게임 컬렉션s Studies of Death; fragile female vampires in works by Eliza Lynn Linton; the gender and sexual contract in Mary Elizabeth Braddon카지노 게임 컬렉션s 카지노 게임 컬렉션Good Lady Ducayne;카지노 게임 컬렉션 cultural appropriation in Richard Burton카지노 게임 컬렉션s Vikram and the Vampire; as well as Caribbean vampires and the racialized Other in Florence Marryat카지노 게임 컬렉션s The Blood of the Vampire. While drawing attention to oft-overlooked stories, this study ultimately highlights the vampire as a cultural shape-shifter whose role as 카지노 게임 컬렉션Other카지노 게임 컬렉션 tells us much about Victorian culture and readers카지노 게임 컬렉션 fears or desires.
Edited by Brooke Cameron and Lara Karpenko
