Queen's 카지노게임사이트
Department of Art History and Art Conservation
Ontario Hall
Kingston, Ontario K7L 3N6
(613) 533 - 6000, ext. 77343
(613) 533 - 6891
Lynda Jessup (B.A., McMaster 카지노게임사이트, and Ph.D., 카지노게임사이트 of Toronto) works in the field of visual cultural studies, specializing in Native North American and Canadian visual culture. Her practice is interdisciplinary, focusing on research in museum representation, environmental history, art and tourism, and art historiography.
| Books | |
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Negotiations in a Vacant Lot: Studying the Visual in CanadaEdited by Lynda Jessup, Erin Morton and Kirsty Robertson,McGill-Queen카지노 게임 컬렉션s 카지노게임사이트 Press, 2014.
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At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender, race, ethnicity, and sexual orientation interact? What happens to the project of Canadian visual history if we imagine that Canada, as essence, place, nation, or ideal, does not exist? The argument that culture is increasingly used as an economic and socio-political resource resonates strongly with the popular strategies of "urban gurus" such as Richard Florida, and increasingly with government policy. Such strategies both contrast with, but also speak to traditions of Canadian state support for culture that have shaped the national(ist) discipline of Canadian art history. The authors of this collection stand at the multiple points where national culture and globalization collide, however, suggesting that academic investigation of the visual in Canada is contested in ways that cannot be contained by arbitrary borders. |
Around and About Marius Barbeau: Modelling Twentieth-Century CultureEdited by Lynda Jessup, Andrew Nurse and Gordon Smith,Canadian Museum of Civilization, 2008.
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Marius Barbeau (1883-1969) played a vital role in the shaping of emergence of Canadian culture in the twentieth century. Around and About Marius Barbeau: Modelling Twentieth-Century Culture is designed to extend discussion about Barbeau beyond the life and work framework by providing critical and interpretive approaches to the different aspects of Barbeau. Rooted in the premise that his cultural work 카지노 게임 컬렉션in anthropology, fine arts, music, film, folklore studies, fiction, historiography카지노 게임 컬렉션 cannot be read uni-dimensionally, this book advances the idea that, by merging disciplinary perspectives about Barbeau, we can move toward deepening our evaluations and understandings of the situation around Barbeau. The sixteen articles that comprise this book bear this idea out, suggesting that Barbeau카지노 게임 컬렉션s cultural work needs to be considered from a variety of different perspectives, each of which carries with it complex and competing dynamics, as well as a critical and subject context. Together, they present alternative stances from which we might reflect on Barbeau카지노 게임 컬렉션s historical situation and the implications of his work today. |
On Aboriginal Representation in the Gallery카지노 게임 컬렉션Edited by Lynda Jessup with Shannon Bagg,Canadian Museum of Civilization, 2002. 카지노 게임 컬렉션카지노 게임 컬렉션
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In recognizing the established intellectual and institutional authority of Native North American artists, curators and academics working in cultural institutions and universities today, this publication serves as an important primer on key questions accompanying the changing representational practices of the community cultural centre, the public art gallery and the anthropological museum. In this anthology, Native North American and other contributors address current and provocative issues arising from Native North American historical and contemporary art, and its production, collection and exhibition. 카지노 게임 컬렉션 |
Antimodernism and Artistic Experience: Policing the Boundaries of ModernityEdited by Lynda Jessup, 카지노게임사이트 of Toronto Press, 2001.
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Antimodernism is a term used to describe the international reaction to the onslaught of the modern world that swept across industrialized Western Europe, North America, and Japan in the decades around the turn of the twentieth century. Scholars in art history, anthropology, political science, history, and feminist media studies explore antimodernism as an artistic response to a perceived sense of loss - in particular, the loss of 'authentic' experience. Embracing the 'authentic' as a redemptive antidote to the threat of unheralded economic and social change, antimodernism sought out experience supposedly embodied in pre-industrialized societies - in medieval communities or 'oriental cultures,' in the Primitive, the Traditional, or Folk. In describing the ways in which modern artists used antimodern constructs in formulating their work, the contributors examine the involvement of artists and intellectuals in the reproduction and diffusion of these concepts. In doing so they reveal the interrelation of fine art, decorative art, souvenir or tourist art, and craft, questioning the ways in which these categories of artistic expression reformulate and naturalise social relations in the field of cultural production. |
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Scholarly Editions Nass River Indians (Reconstruction)Concept, research and sequencing by Lynda Jessup
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This 35 mm film is a reconstruction of the lost, 1928 film Nass River Indians, which was produced by Associated Screen News Ltd in Montreal specifically for use by the National Museum of Canada. It was first screened in 1928 in conjunction with the National Gallery of Canada "Exhibition of Canadian West Coast Art, Native and Modern," a show combining the work of Canadian west coast Aboriginal peoples with paintings and sculptures by prominent Euro-Canadian artists, chief among them the members of the Group of Seven. With the generous support of the National Archives of Canada, the film has been reconstructed as a postcolonial object, which includes introductory intertitles in English and Nisga'a. The film toured internationally in Unseen Cinema: Early American Avant-Garde Film 1893-1941, organized by the Anthology Film Archives and Deutsches Film museum. |
Recent Articles
2012
카지노 게임 컬렉션Rethinking Relevance,카지노 게임 컬렉션 co-authored with Erin Morton and Kirsty Robertson, in Negotiations in a Vacant Lot: Studying the Visual in Canada, edited by Lynda Jessup, Erin Morton and Kirsty Robertson, McGill-Queen카지노 게임 컬렉션s 카지노게임사이트 Press, forthcoming.
The Group of Seven and the Tourist Landscape in Western Canada, or The More Things Change...Journal of Canadian Studies 37 (1): 144-79. Reprinted in 카지노 게임 컬렉션The Group of Seven and the Tourist Landscape in Western Canada, or the More Things Change카지노 게임 컬렉션카지노 게임 컬렉션 in Interpreting Canada카지노 게임 컬렉션s Past: A Post-Confederation Reader, ed. J.M. Bumstead, Len Kuffert and Michael Ducharme (Toronto: Oxford 카지노게임사이트 Press, 2012).
2009
카지노 게임 컬렉션Looking at Landscape in the Age of Environmentalism,카지노 게임 컬렉션 in Expanding Horizons: Painting and Photography of American and Canadian Landscape, 1860-1918, ed. Hilliard Goldfarb, (Montreal: Montreal Museum of Fine Arts, 2009), 93-95, 85, 115.
2008 [I misdated as 2007 the two entries below. Please move up to 2008:]
Marius Barbeau and Early Ethnographic Cinema, in Around and About Marius Barbeau: Modelling Twentieth-Century Culture, co-edited with Andrew Nurse and Gordon Smith, Canadian Museum of Civilization, 2007, pp. 269-304.
Around and About Marius Barbeau, co-authored with Andrew Nurse and Gordon Smith, in [insert space]Around and About Marius Barbeau: Modelling Twentieth-Century Culture, co-edited with Andrew Nurse and Gordon Smith, Canadian Museum of Civilization, 2007, pp. 1-12.
2007
Marius Barbeau and Early Ethnographic Cinema, in Around and About Marius Barbeau: Modelling Twentieth-Century Culture, co-edited with Andrew Nurse and Gordon Smith, Canadian Museum of Civilization, 2007, pp. 269-304.
Around and About Marius Barbeau, inAround and About Marius Barbeau: Modelling Twentieth-Century Culture, co-edited with Andrew Nurse and Gordon Smith, Canadian Museum of Civilization, 2007, pp. 1-12.
Art for a Nation?, reprinted in John O카지노 게임 컬렉션Brian and Peter White, Beyond Wilderness: The Group of Seven, Canadian Identity, and Contemporary Art, McGill-Queen카지노 게임 컬렉션s 카지노게임사이트 Press, 2007, pp. 187-92.
2006
Landscapes of Sport, Landscapes of Exclusion: The 카지노 게임 컬렉션Sportsman카지노 게임 컬렉션s Paradise카지노 게임 컬렉션 in Late Nineteenth Century Canadian Painting,카지노 게임 컬렉션 Journal of Canadian Studies 40.1 (Winter 2005-06): 71-124.
2005
Confessions of a Selfish Teacher, College Quarterly 8.3 (Summer 2005).
2002
The Group of Seven and the Tourist Landscape in Western Canada, or The More Things Change...Journal of Canadian Studies 37 (1): 144-79. Reprinted in People, Places, and Times: Readings in Canadian Social History, vol. 2: Post-Confederation, ed., Cynthia R. Comacchio and Elizabeth Jane Errington (Toronto: Thomson-Nelson, 2006), pp. 462-82.
Hard Inclusion. In On Aboriginal Representation in the Gallery. Edited by Lynda Jessup with Shannon Bagg. Hull: Canadian Museum of Civilization. Pp. xi-xxviii.
Moving Pictures and Costume Songs at the 1927 "Exhibition of Canadian West Coast Art, Native and Modern." Canadian Journal of Film Studies 11 (1): 144-79. 2001
James Sibley Watson's Nass River Indians. In Unseen Cinema: Early American Avant-Garde Film 1893-1941. Edited by Bruce Posner. New York: Black Thistle Press/Anthology Film Archives. Pp. 116-20.
Antimodernism and Artistic Experience: An Introduction. In Antimodernism and Artistic Experience: Policing the Boundaries of Modernity. Edited by Lynda Jessup. Toronto: 카지노게임사이트 of Toronto Press. Pp. 3-9.
Bushwhackers in the Gallery: Antimodernism and the Group of Seven. In Antimodernism and Artistic Experience: Policing the Boundaries of Modernity. Edited by Lynda Jessup. Toronto: 카지노게임사이트 of Toronto Press. Pp. 130-52. 1999
Tin Cans and Machinery: Saving the Sagas and Other Stuff Visual Anthropology 12: 49-86. Reprinted in , 2000, pp. 1-51. 1998
Prospectors, Bushwhackers, Painters: Antimodernism and the Group of Seven International Journal of Canadian Studies 17 (1): 193-214.
Current Projects
Winners' History: Exhibiting the Group of Seven.
A study of recent exhibitions of the Group of Seven as sites of official nationalism in Canada, and of the ways in which national art histories function as an operative part of increasingly post-national processes of globalization.
Honours
2010-11 Fulbright Scholar, Rockefeller Archive Center, New York.
2009 Award for Excellence in Graduate Student Supervision, School of Graduate Studies, Queen카지노 게임 컬렉션s 카지노게임사이트.
2003 National Gallery of Canada Research Fellowship in Canadian Historical Art, National Gallery of Canada.
1998 Queen's 카지노게임사이트 Alumni Award for Excellence in Teaching.
1994 Canadian Centre for the Visual Arts Research Fellowship in Historic Canadian Art, National Gallery of Canada.
Undergraduate Teaching
ARTH-232 Canadian Art
ARTH-339 Canadian Art in the Twentieth Century
ARTH-433 Art, Tourism and Modernity
ARTH-434 Non-Western Art in Western Collections
Graduate Teaching
ARTH-804 Topics in Critical and Cultural TheoryARTH-804 Art and Globalization
ARTH-805 Art Historiography: Environmental Studies in Art History
ARTH-806 Studies in Iconography: Critical Approaches to Landscape
ARTH-811 Museums, Marginality, and the Mainstream
ARTH-864 Art, Tourism and Modernity
ARTH-868 Assigning a Category: Inuit Video
ARTH-871 Mediating Art and Culture
ARTH-876 The Art of Cultural Diplomacy
Teaching Development
2003-05 Educational Development Faculty Associate, Centre for Teaching and Learning, Queen카지노 게임 컬렉션s 카지노게임사이트
2003-05 Leader, Research Group: Rethinking the Survey, Centre for Teaching and Learning, Queen카지노 게임 컬렉션s 카지노게임사이트
Graduate Thesis Supervision
In progress:
| Cultural Studies Program | ||
|---|---|---|
| 2013 | PhD | Amanda White, "Looking Plants in the Eye: Human-Nonhuman Communication in Urban Ecological Communities." |
| 2012 | PhD | Elizabeth Diggon, "Exhibiting Diplomacy: Art and International Cultural Relations in Canada." (co-supervision) |
| PhD | Erin Sutherland, "Curating as Indigenous Methodology: An Investigation of Indigenous Curatorial Methodologies." | |
| PhD | Ana Ruiz, "Cuba: A Visual Island A Mari Usque Ad Mare." (co-supervision) | |
2011 |
PhD | Lara Fullenweider, "Teaching Loss: Cultural Productions of Reconciliation and Redress of Residential School Experiences in Canada." |
| PhD | Barbara Meneley, "Unsettling the Last Best West: Restorying Settler Imaginaries." | |
2010 |
PhD | Linda Grussani, 카지노 게임 컬렉션The Exhibition of Indigenous Visual Culture in National Capital Institutions: Working towards Decolonization in Canada, Australia, the United States.카지노 게임 컬렉션 |
| MA | Erin Sutherland, "Adrian Stimson and Terrance Houle: Exploring Indigenous Masculinities, Analytical Review." | |
2009 |
PhD | Mimi Gellman, 카지노 게임 컬렉션Between the Dreamtime and the GPS/the Metaphysics of Indigenous Mapping.카지노 게임 컬렉션 |
| Department of Art | ||
| 2012 | MA | Rebecca Benson, "Art as Lucrative Utopia: An Analysis of Participatory Art's History, Ideals, and Profitability." |
| MRP | Katherine Vingoe-Cram, "Embalmed Spaces: Locating Folk Art in Canadian Institutions." | |
| PhD | Agnes Landon, "Art and Arctic Sovereignty: Towards Visualizing the North as a Canadian Possession, 1920-1965." | |
| 2011 | PhD | Elysia French, 카지노 게임 컬렉션Crude Ethics: Oil and the Landscape of Environmentalism in Contemporary Visual Culture.카지노 게임 컬렉션 |
| MA | Jane Becker Nelson, "Picturing Power: Nationalism and Contemporary Photography in Northern North America." | |
2010 |
MA | Elizabeth Diggon, 카지노 게임 컬렉션The Politics of Cultural Power: Canadian Participation at the Venice Biennale and the São Paulo Bienal, 1951-1970.카지노 게임 컬렉션 |
| MA | Agnes Ladon, "The Visual Culture of Arctic Sovereignty: A.Y. Jackson, Lawren S. Harris and Canada카지노 게임 컬렉션s Eastern Arctic Patrols." | |
| 2008 | PhD | Sarah E.K. Smith, 카지노 게임 컬렉션Exhibitions as Envoys: Art and the Construction of Mexican Identity in the New North America카지노 게임 컬렉션 (co-supervision) |
2007 |
PhD |
Brianne Howard, 카지노 게임 컬렉션Cross-Cultural Negotiations: Three Collections of African Visual and Material Culture in Canada |
| Department of Art | ||
| 2013 | PhD | Sarah E.K. Smith, 카지노 게임 컬렉션Art and the Invention of North America, 1985-2012" (co-supervision) |
| MRP |
Jane Becker Nelson, 카지노 게임 컬렉션Blurred Identities: An Exhibition Exploring Sex and Gender.카지노 게임 컬렉션 |
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2012 |
PhD | Susan Cahill, 카지노 게임 컬렉션Contested Terrains: Visualizing the Nation within Global Military Conflicts.카지노 게임 컬렉션 |
| MRP |
Alexandra Simpson, 카지노 게임 컬렉션Depicting and Performing the Museum: Contemplating the Art Museum Experience Through the Lens of Contemporary Photography.카지노 게임 컬렉션 |
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| MA |
Elizabeth Diggon, 카지노 게임 컬렉션The Politics of Cultural Power: Canadian Participation at the Venice and São Paulo Biennials, 1951-1958.카지노 게임 컬렉션 |
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| MA |
Agnes Ladon, 카지노 게임 컬렉션The Art of Arctic Sovereignty: A.Y. Jackson, Lawren S. Harris and Canada카지노 게임 컬렉션s Eastern Arctic Patrols.카지노 게임 컬렉션 |
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| MA |
Erin Sutherland, 카지노 게임 컬렉션Terrance Houle and Adrian Stimson: Exploring Indigenous Masculinities, March 20 th -22 nd , 2012: An Analytical Review카지노 게임 컬렉션 (project option). |
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| PhD |
Brianne Howard, Cross-Cultural Negotiations: Three Collections of African Visual and Material Culture in Canadian Cultural Institutions |
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2011 |
PhD | Carla Taunton, 카지노 게임 컬렉션Performing Resistance/Negotiating Sovereignty: Performative Interventions by Indigenous Women Performance Artists in Colonial and Post-Colonial Canada, Australia and New Zealand.카지노 게임 컬렉션 |
| PhD | Debra Antoncic, 카지노 게임 컬렉션Oddballs and Eccentrics (Les Hirsutes et Les Excentriques): Visual Arts and Artists in the Popular Press in Post-war Canada.카지노 게임 컬렉션 | |
| MA | Ellyn Clost, 카지노 게임 컬렉션Voluntourism: The Visual Economy of International Volunteer Program.카지노 게임 컬렉션 | |
| MA | Megan Bylsma, 카지노 게임 컬렉션Nationalism, Cultural Imperialism and the Emma Lake Artists카지노 게임 컬렉션 Workshops.카지노 게임 컬렉션 (co-supervision) | |
| MRP | Alexandra Simpson, "Depicting and Performing Museums: Art Experiences through the Lens of Contemporary Photography." | |
| MA | Elysia French, 카지노 게임 컬렉션Sights of Desire; Sites of Demise/ The Environment in the Works of Edward Burtynsky and Olafur Eliasson.카지노 게임 컬렉션 | |
| MRP | Jessica Parker, 카지노 게임 컬렉션Beit Hatfutsot: Exhibiting Israeli National Ideology in the Diaspora Museum.카지노 게임 컬렉션 (co-supervision) | |
| MRP | Duncan Links, 카지노 게임 컬렉션Challenging the Pecking Order with a Rubber Chicken: Humor in Canadian Folk Art.카지노 게임 컬렉션 | |
2010 |
PhD | Andrea Terry, 카지노 게임 컬렉션카지노 게임 컬렉션Living History카지노 게임 컬렉션 in Canada: Representing Victorian Culture in the Multicultural Present.카지노 게임 컬렉션 |
| MRP | Michelle Bauldic, 카지노 게임 컬렉션Get Riel: The Use of Riel to Create and Signify Identity in Canada.카지노 게임 컬렉션 | |
2009 |
PhD | Erin Morton, 카지노 게임 컬렉션Visions which Succeed: Regional Publics and Public Folk Art in Maritime Canada.카지노 게임 컬렉션 |
| MA | Kaitlin Schwan, 카지노 게임 컬렉션HIV/AIDS and Identity Recovery: STITCHing the Self Back Together.카지노 게임 컬렉션 | |
| MA | Sarah Jones, 카지노 게임 컬렉션Filming the Folk Art-Genius: The 카지노 게임 컬렉션Documentation카지노 게임 컬렉션 of Maud Lewis.카지노 게임 컬렉션 | |
2008 |
PhD | Kristin Campbell, 카지노 게임 컬렉션Taste and Nation: Spaces of Viewing in London, 1775-1825.카지노 게임 컬렉션 (co-supervision) |
| MA | Jocelyn Purdie, 카지노 게임 컬렉션The Neighbourhood Imaginary: Considerations of Local Art Production in Unconventional Public Spaces.카지노 게임 컬렉션 (co-supervision) | |
| MA | Sarah E.K. Smith, 카지노 게임 컬렉션Cultural Brokering: Art, National Identity, and the Influence of Free Trade.카지노 게임 컬렉션 | |
2007 |
PhD | Kristy A. Holmes, 카지노 게임 컬렉션Negotiating the Nation: The Work of Joyce Wieland, 1968-1976.카지노 게임 컬렉션(co-supervision) |
| MA | Emily Jane Rothwell, 카지노 게임 컬렉션Spinning Public Yarns: Janet Morton's Knitted Works as Dialogues on Urban Locality, Ecological Projects, and Community Histories.카지노 게임 컬렉션 (co-supervision) | |
2006 |
PhD | Shannon Bagg, 카지노 게임 컬렉션Artists, Art Historians, and the Value of Contemporary Inuit Art.카지노 게임 컬렉션 |
| PhD | Kirsty M. Robertson, 카지노 게임 컬렉션Tear-Gas Epiphanies: New Economics of Protest, Vision, and Culture in Canada.카지노 게임 컬렉션 | |
| PhD | Robert Surdu, 카지노 게임 컬렉션Architectonics: A Study of Three Early Twentieth-Century Canadian Buildings and Their Role as Therapeutic Sanctuaries.카지노 게임 컬렉션 | |
| MA | Lindsay Leitch, 카지노 게임 컬렉션Gathering, Mending, Knitting: Craftivism and the Constructive Revolution.카지노 게임 컬렉션 | |
| MA | Anna Samulak, 카지노 게임 컬렉션Krieghoff in Context: Tourism and Colonialism.카지노 게임 컬렉션 | |
2005 |
PhD | Brian Donnelly, 카지노 게임 컬렉션Picturing Words, Writing Images: Design Contingent Meaning.카지노 게임 컬렉션 |
| PhD | Kamille Parkinson, 카지노 게임 컬렉션Philip John Bainbrigge and the Group of 1838: Imperial Landscapes and the Colonial Art Scene in Canada.카지노 게임 컬렉션 | |
| MA | Erin Morton, 카지노 게임 컬렉션Representing Region: Exhibiting Place in Nova Scotia.카지노 게임 컬렉션 | |
| MA | Taryn Sirove, 카지노 게임 컬렉션Pro-Feminist Men, Masculinities and the Habits Video Exhibition (1986): Re-covering a self-critique of patriarchy.카지노 게임 컬렉션 (co-supervision) | |
| MA | Andrea Terry, 카지노 게임 컬렉션Claiming Christmas for the Tourist: "Living History" at Dundurn Castle.카지노 게임 컬렉션 | |
2004 |
PhD | J. Keri Cronin, 카지노 게임 컬렉션Manufacturing National Park Nature: Photography, Ecology, and the Wilderness Industry of Jasper National Park.카지노 게임 컬렉션 |
| PhD | Andrea Kunard, 카지노 게임 컬렉션Promoting Culture Through Photography in the National Gallery of Canada and the Still Photography Division of the National Film Board of Canada.카지노 게임 컬렉션 | |